Difference between revisions of "File.org.br"
(→External links) |
(migration import) |
||
|
(25 intermediate revisions by 7 users not shown) | |||
| Line 1: | Line 1: | ||
| + | {{DISPLAYTITLE:File.org.br is Brazilian news site.}} | ||
{{ Domain_Page | | {{ Domain_Page | | ||
reviews = <reviews></reviews> | | reviews = <reviews></reviews> | | ||
vote = <vote></vote> | | vote = <vote></vote> | | ||
thumbnail = <thumbnail>file.org.br</thumbnail> | | thumbnail = <thumbnail>file.org.br</thumbnail> | | ||
| − | map = <map | + | map = <map></map> | |
}} | }} | ||
http://www.file.org.br/file_logo.jpg | http://www.file.org.br/file_logo.jpg | ||
| Line 12: | Line 13: | ||
The '''Electronic Language International Festival''' (FILE) is a non-profit cultural organization, organized by artists [[Ricardo Barreto]] and Paula Perissinotto, whose purpose is to disseminate and to develop arts, technologies and scientific research, by means of exhibitions, debates, lectures, and courses. | The '''Electronic Language International Festival''' (FILE) is a non-profit cultural organization, organized by artists [[Ricardo Barreto]] and Paula Perissinotto, whose purpose is to disseminate and to develop arts, technologies and scientific research, by means of exhibitions, debates, lectures, and courses. | ||
| − | The festival promotes an yearly meeting in Brazil, in the city of [http://en.wikipedia.org/wiki/ | + | The festival promotes an yearly meeting in Brazil, in the city of [http://en.wikipedia.org/wiki/Sao_paulo São Paulo] and also in the city of Rio de Janeiro, of international arts and new-media professionals. The File Festival show in its events web art,[http://en.wikipedia.org/wiki/Electronic_art electronic art], [http://en.wikipedia.org/wiki/Net.art net.art], artificial life, [http://en.wikipedia.org/wiki/Hypertext_fiction hypertext fiction], computer animation, [http://en.wikipedia.org/wiki/Interactive_art interactive art] , real time teleconferences, virtual reality, [[http://en.wikipedia.org/wiki/Information_art information art]] , art panoramas, interactive movie, e- video, electronic art installations and robotics through interactive and immersive rooms. |
The File festival has showed the annual event FILE-SYMPOSIUM along with the festival, and it became a meeting point in the city of Sao Paulo. FILE Symposium, in its annual editions, brings names of expressive artists, intellectuals, theoreticians, researchers and scientists such as [http://en.wikipedia.org/wiki/Ted_Nelson Ted Nelson], [[ManOviCh.net| Lev Manovich]] , [http://en.wikipedia.org/wiki/Bill_Vorn Bill Vorn], George Landow, [[MarcelIAntunez.com|Marcel.Lí Antúnez Roca]], [[Hoogerbrugge.com|Han Hoogerbrugge ]], with the concern of establishing an international exchange of digital culture. | The File festival has showed the annual event FILE-SYMPOSIUM along with the festival, and it became a meeting point in the city of Sao Paulo. FILE Symposium, in its annual editions, brings names of expressive artists, intellectuals, theoreticians, researchers and scientists such as [http://en.wikipedia.org/wiki/Ted_Nelson Ted Nelson], [[ManOviCh.net| Lev Manovich]] , [http://en.wikipedia.org/wiki/Bill_Vorn Bill Vorn], George Landow, [[MarcelIAntunez.com|Marcel.Lí Antúnez Roca]], [[Hoogerbrugge.com|Han Hoogerbrugge ]], with the concern of establishing an international exchange of digital culture. | ||
| Line 18: | Line 19: | ||
The event is open to the public, and intends to expand its educational reach to local and eventually remote audiences, thus sharing the experiences learned with FILE, through technologies of education, communication, registration and memory. The File festival also promotes the event [http://www.aboutus.org/HiperSonica.org Hipersônica], the festival's sonic arm, which intends to elaborate connections among the worlds of images, sonorities and text. | The event is open to the public, and intends to expand its educational reach to local and eventually remote audiences, thus sharing the experiences learned with FILE, through technologies of education, communication, registration and memory. The File festival also promotes the event [http://www.aboutus.org/HiperSonica.org Hipersônica], the festival's sonic arm, which intends to elaborate connections among the worlds of images, sonorities and text. | ||
| − | The festival of hypersonorities, sound poetry, error-music, sonic sculptures and antimusic identifies styles and trends, towards performatic abstractions derived from the residual interrelation with videographism, game-art, electronic theater, and direct interventions.The FILE-site:[http://www.file.org.br http://www.file.org.br]. The FILE-photos: | + | The festival of hypersonorities, sound poetry, error-music, sonic sculptures and antimusic identifies styles and trends, towards performatic abstractions derived from the residual interrelation with videographism, game-art, electronic theater, and direct interventions.The FILE-site:[http://www.file.org.br http://www.file.org.br]. The FILE-photos: Flickr - [http://www.flickr.com/photos/file2006 file2006]. The FILE-hipersonica videos [[YouTube.com]] - [http://www.youtube.com/results?search_query=hipers%C3%B4nica&search=Search].The FILE-hipersonica photos: Flikr - [http://www.flickr.com/photos/hipersonica hipersonica] Hipersonica-site [http://www.hipersonica.org] |
| + | [http://flickr.com/photos/14253958@N04/page8/ FILE and HIPERSONICA 2007 SP] . | ||
==FILE 2007== | ==FILE 2007== | ||
| Line 34: | Line 36: | ||
==Archive== | ==Archive== | ||
The FILE Archive has now more than 2000 national and international digital works of 38 different countries in several supports of digital media such as cd-rom, zips, diskettes, and video tape, texts and catalogues. | The FILE Archive has now more than 2000 national and international digital works of 38 different countries in several supports of digital media such as cd-rom, zips, diskettes, and video tape, texts and catalogues. | ||
| − | This archive potential and significance can offer a great overview of what was produced in new media art since the year | + | This archive potential and significance can offer a great overview of what was produced in new media art since the year 2000 [http://www.filefestival.org/site_2007/pagina_trabalhos_arquivo.asp?a1=330&a2=334&id=2 File Archive]- on-line collection of net-art |
The event is about new media art. | The event is about new media art. | ||
| + | ==FILE Labo== | ||
| + | http://www.file.org.br/labofile.jpg | ||
| + | |||
| + | [http://www.filefestival.org/site_2007/pagina_conteudo_livre.asp?a1=468&a2=468&id=2 FILE Labo]: The mission of FILE Labo is the development, research and experimentation of multidisciplinary works in the fields of new media. It offers an environment of multidisciplinary researches and creators in a platform of free collaboration among national and international artists, programmers, scientists and researchers. FILE Labo's infrastructure was designed to hold projects in Art & Technology using the most different tools: augmented reality, interactive installation, sound installations, video performance, experimental robotics, urban interventions, and more. | ||
| + | FILE-Labo has as its aim the cultural and technological swapping, through residencies and interchanges among National and Internacional communities, inserting its production into a globalized context of research and development, compatible with the techno-contemporary mentality. | ||
| + | |||
| + | Research Groups @ FILE Labo | ||
| + | |||
| + | [http://www.softwarestudies.com.br Software Studies Initiative Group in São Paulo] | ||
| + | The SWS Initiative is a research group affiliated to the Software Studies Initiative at University of California, San Diego (UCSD), directed by Lev Manovich and coordinated in Brazil by Cicero Silva. The SWS group supports monthly meetings and lectures at the Labo and it's also developing two research projects in Brazil, one about the Open Source movement in Brazil and the other one about the impact of Creative Commons project in the Brazilian culture. | ||
| + | |||
| + | Board of FILE Labo | ||
| + | |||
| + | Alberto Saraiva, Cicero Silva, Marcos Moraes, Ricardo Hage, Roberto M. Cesar Jr., Sergio Vieira Branco Júnior | ||
==Artists== | ==Artists== | ||
| Line 241: | Line 257: | ||
| | | | ||
* [[ScannerDot.com]] | * [[ScannerDot.com]] | ||
| − | * | + | * Codage |
| − | * | + | * Maga Bo |
* [[DjSpooky.com]] | * [[DjSpooky.com]] | ||
| − | * | + | * Rhythm Science |
| − | * | + | * Udquem |
| − | * | + | * Dado Motta |
| − | * | + | * Ghost of Mercury |
| − | * | + | * Vanderlei Lucentini |
| − | * | + | * Derek Holzer |
| − | * | + | * Sarah Kolster |
| − | * | + | * Dino Vicente |
| − | * | + | * Felipe Ribeiro |
| − | * | + | * Jiang Haiquing |
| − | * | + | * MM não é confete |
| − | * | + | * Antena |
| − | * | + | * La Borg |
| − | * [[ | + | * [[zaratruta.blogspot.com|Zaratruta!]] |
* [[PerformanCia.com.br]] | * [[PerformanCia.com.br]] | ||
| − | * | + | * Bnegão |
| − | * | + | * Media Sana |
| − | * [[ | + | * [[gengivasnegras.blogspot.com|Gengivas Negras]] |
| − | * | + | * Sickboy |
| − | * | + | * DJ Camilo Rocha |
| − | * | + | * Vj Doga |
| − | * | + | * Addd |
| − | * | + | * DJ Dubstrong |
||| | ||| | ||
| − | * | + | * Daedelus |
| − | * | + | * Mecanotremata |
| − | * | + | * Vector Commander |
| − | * | + | * Zampol |
| − | * | + | * 8 Bits |
| − | * | + | * Yellow P |
| − | * | + | * Erik Marke |
| − | * | + | * Santiago Ortiz |
| − | * | + | * Saso Vrabic |
| − | * | + | * Felix Luque |
| − | * | + | * Fuzzion |
| − | * | + | * Heath Hanlin |
| − | * | + | * Henrique Roscoe |
| − | * | + | * Jean Piche |
* [[Zampronha.com]] | * [[Zampronha.com]] | ||
| − | * | + | * Vj Spetto |
| − | * | + | * Chris Funckhouse |
| − | * | + | * Temp |
| − | * | + | * A Revolução Não Foi Televisionada |
| − | * | + | * Radioatividade |
| − | * | + | * Fu Yu |
| − | * | + | * Satã-Bárbara |
| − | * | + | * Bolor 9 |
| − | * | + | * Rádio Cipó |
| − | * | + | * Miha Ciclar |
| − | * | + | * Void |
||| | ||| | ||
* [[Kode9.com]] | * [[Kode9.com]] | ||
* [[EsquadraoAtari.org]] | * [[EsquadraoAtari.org]] | ||
| − | * | + | * Black Hole |
| − | * | + | * Lost in HypnoSpace |
| − | * | + | * Otávio Donasci |
* [[Embolex.com.br]] | * [[Embolex.com.br]] | ||
* [[Akuvido.de]] | * [[Akuvido.de]] | ||
| − | * | + | * Hanna Kuts |
| − | * | + | * Viktor Dovhalyuk |
| − | * | + | * Alan Sondheim |
| − | * | + | * Alex Davies |
| − | * | + | * Alex Hessel |
| − | * | + | * Jorn Ebner |
| − | * | + | * Alexandre Torres Porres |
| − | * | + | * Alexandre Ferrerich |
| − | * | + | * André Felipe Teperman |
| − | * | + | * Andrea Polli |
| − | * | + | * Andrew Diey |
| − | * | + | * Andrew Garton |
* [[Aponaut.com]] | * [[Aponaut.com]] | ||
* [[8gg.com]] | * [[8gg.com]] | ||
| − | * | + | * Future Jazz Fusion |
| − | * | + | * Da Wrong Glazz |
| − | * | + | * Dj Seth |
| − | * | + | * Alienaqtor |
| − | * | + | * Dj Xigas |
| − | * | + | * Dj Nisek |
||| | ||| | ||
| − | * | + | * [http://www.servus.at/fadi/ Wolfgang Dorninger] |
| − | * | + | * Dj(s)Cally & Juice |
| − | * | + | * Dj Ali Kay |
| − | * | + | * Dj Artek |
| − | * | + | * Dj Bam Bam |
| − | * | + | * Dj Banco de Gaia |
| − | * | + | * DJ Bolivia |
| − | * | + | * Dj Cesar Delrio |
| − | * | + | * Dj CHrIs Dee |
| − | * | + | * Jorn Ebner |
| − | * | + | * Chris Brown |
| − | * | + | * N.Caligaris |
| − | * | + | * John Bischoff |
| − | * | + | * Christian Banasik |
| − | * | + | * Christoph Korn |
| − | * | + | * Oliver August |
| − | * | + | * Coelho de Moraes |
| − | * | + | * Colin Bright |
| − | * | + | * DJ Luci Hidaka |
| − | * | + | * Good Boy |
| − | * | + | * Enganjaduz |
| − | * | + | * Midiadub |
| − | * | + | * Projeto Nave |
| − | * | + | * Vj Carla Colorbox |
| − | * | + | * Terrortronic |
| − | * | + | * Conrado Silva |
||| | ||| | ||
| − | * | + | * Edwin Van der Heide |
* [[Evdh.net]] | * [[Evdh.net]] | ||
| − | * | + | * Arcangel Constantini |
| − | * | + | * Ashis Mahapatra |
| − | * | + | * AudioHyperspace |
| − | * | + | * Elke Utermöhlen |
| − | * | + | * Martin Slawig |
| − | * | + | * Brett Ziegler |
| − | * | + | * Brian Mackern |
| − | * | + | * Jorge Haro |
| − | * | + | * Carol-Ann Braun |
| − | * | + | * Annie Gentes |
| − | * | + | * R. Cahen |
| − | * | + | * Vj Albuk |
| − | * | + | * Los Chocadores |
| − | * | + | * Telekommando Scherz |
| − | * | + | * Zquizofonia |
| − | * | + | * The Stalkers |
| − | * | + | * ntermetso |
| − | * | + | * Ajaxfree |
| − | * | + | * Visual Future Corporation |
| − | * | + | * Supergas |
| − | * | + | * Project |
| − | * | + | * Kredokreto Wtr |
| − | * | + | * Mc Jimmy Luv |
| − | * | + | * Mc Pyroman |
* [[Anyone.org.uk]] | * [[Anyone.org.uk]] | ||
|} | |} | ||
| Line 384: | Line 400: | ||
|- valign=top | |- valign=top | ||
| | | | ||
| − | * | + | * Takahiko Iimimura |
| − | * | + | * Suzanne Jasco |
| − | * | + | * Simon Biggs |
| − | * | + | * Lev Manovich |
| − | * | + | * David Clark |
| − | * | + | * Electronic Shadow |
||| | ||| | ||
| − | * | + | * Michael Brynntrup |
| − | * | + | * Peter Anders |
| − | * | + | * Timothy Weaver |
| − | * | + | * Matthias Gommel |
| − | * | + | * Morten Schjodt |
| − | * | + | * Ronaldo Lemos |
||| | ||| | ||
| − | * | + | * Ted Nelson |
| − | * | + | * Tim Pritlove |
| − | * | + | * Julie Bouchard |
| − | * | + | * Santiago Ortiz |
| − | * | + | * Jose Broide |
| − | * | + | * Paul Vanouse |
||| | ||| | ||
| − | * | + | * Iliana Hernandez |
| − | * | + | * George Landow |
| − | * | + | * Florian Thalhofer |
| − | * | + | * c5 |
| − | * | + | * Marcel.Lí Antúnez Roca |
| − | * | + | * Robin Rimbaud aka Scanner |
||| | ||| | ||
| − | * | + | * Han Hoogerbrugge |
| − | * | + | * Cícero Inácio da Silva |
| − | * | + | * Agricola de Cologne |
| − | * | + | * Machiko Kusahara |
| − | * | + | * Natalia Radywyl |
| − | * | + | * Agricola de Cologne |
||| | ||| | ||
| − | * | + | * Rachel Zuanon |
| − | * | + | * Yara Guasque |
| − | * | + | * Raquel Rennó |
| − | * | + | * Lucia Leao |
| − | * | + | * Ji Lee |
| − | * | + | * Florian Thalhofer |
|} | |} | ||
| Line 542: | Line 558: | ||
RusMann.de | RusMann.de | ||
Sarai.net | Sarai.net | ||
| − | SatMundi. | + | SatMundi.net |
Schott-Musik.de | Schott-Musik.de | ||
Sero.org | Sero.org | ||
| Line 613: | Line 629: | ||
File.org.br | File.org.br | ||
</WikiPages> | </WikiPages> | ||
| + | |||
==References== | ==References== | ||
*Hentschläger, Ursula und Wiener, Zelko [http://www.brown.edu/Research/dichtung-digital/2003/issue/1/zeitgenossen/index.htm Interview] | *Hentschläger, Ursula und Wiener, Zelko [http://www.brown.edu/Research/dichtung-digital/2003/issue/1/zeitgenossen/index.htm Interview] | ||
| Line 632: | Line 649: | ||
* '''Alexa''': [http://www.alexa.com/data/details/main?url=file.org.br File] | * '''Alexa''': [http://www.alexa.com/data/details/main?url=file.org.br File] | ||
* '''Wikipedia''': [http://en.wikipedia.org/wiki/Electronic_Language_International_Festival File] | * '''Wikipedia''': [http://en.wikipedia.org/wiki/Electronic_Language_International_Festival File] | ||
| + | * [http://www.filefestival.org/site_2007/pagina_conteudo_livre_news.asp?a1=330&id=2&cd_news=17 The Wire 279] | ||
* [http://artport.whitney.org/resources/festivals.shtml Whitney] | * [http://artport.whitney.org/resources/festivals.shtml Whitney] | ||
| − | |||
* [http://www.google.com/Top/Arts/Digital/Events/ google-arts digital events Rank] | * [http://www.google.com/Top/Arts/Digital/Events/ google-arts digital events Rank] | ||
* [http://www.wired.com/news/women/0,1540,52986,00.html Wired] | * [http://www.wired.com/news/women/0,1540,52986,00.html Wired] | ||
* [http://netartreview.net/special/The_Anarcho02.htm netartreview] | * [http://netartreview.net/special/The_Anarcho02.htm netartreview] | ||
| − | * [http://plaza.bunka.go.jp/english/festival/ | + | * [http://plaza.bunka.go.jp/english/festival/2005/report/sympo_spinterview.php Japan Media Arts Festival] |
| − | * [http://www.filefestival.org/site_2007/ | + | * [http://www.filefestival.org/site_2007/pagina_trabalhos_arquivo.asp?a1=330&a2=334&id=2 File Festival]-complete collection of net-art |
* [http://portal.unesco.org/culture/en/ev.php-URL_ID=29836&URL_DO=DO_TOPIC&URL_SECTION=201.html UNESCO] | * [http://portal.unesco.org/culture/en/ev.php-URL_ID=29836&URL_DO=DO_TOPIC&URL_SECTION=201.html UNESCO] | ||
* [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=artifact6569 intute] | * [http://www.intute.ac.uk/artsandhumanities/cgi-bin/fullrecord.pl?handle=artifact6569 intute] | ||
Latest revision as of 23:12, 8 November 2013
FILE | ELECTRONIC LANGUAGE INTERNATIONAL FESTIVAL
The Electronic Language International Festival (FILE) is a non-profit cultural organization, organized by artists Ricardo Barreto and Paula Perissinotto, whose purpose is to disseminate and to develop arts, technologies and scientific research, by means of exhibitions, debates, lectures, and courses.
The festival promotes an yearly meeting in Brazil, in the city of São Paulo and also in the city of Rio de Janeiro, of international arts and new-media professionals. The File Festival show in its events web art,electronic art, net.art, artificial life, hypertext fiction, computer animation, interactive art , real time teleconferences, virtual reality, [information art] , art panoramas, interactive movie, e- video, electronic art installations and robotics through interactive and immersive rooms.
The File festival has showed the annual event FILE-SYMPOSIUM along with the festival, and it became a meeting point in the city of Sao Paulo. FILE Symposium, in its annual editions, brings names of expressive artists, intellectuals, theoreticians, researchers and scientists such as Ted Nelson, Lev Manovich , Bill Vorn, George Landow, Marcel.Lí Antúnez Roca, Han Hoogerbrugge , with the concern of establishing an international exchange of digital culture.
The event is open to the public, and intends to expand its educational reach to local and eventually remote audiences, thus sharing the experiences learned with FILE, through technologies of education, communication, registration and memory. The File festival also promotes the event Hipersônica, the festival's sonic arm, which intends to elaborate connections among the worlds of images, sonorities and text.
The festival of hypersonorities, sound poetry, error-music, sonic sculptures and antimusic identifies styles and trends, towards performatic abstractions derived from the residual interrelation with videographism, game-art, electronic theater, and direct interventions.The FILE-site:http://www.file.org.br. The FILE-photos: Flickr - file2006. The FILE-hipersonica videos YouTube.com - [1].The FILE-hipersonica photos: Flikr - hipersonica Hipersonica-site [2] FILE and HIPERSONICA 2007 SP .
FILE 2007
FILE RIO 2007 GAME ART- MOVE Andrew Hieronymi
FILE SAO PAULO 2007 Wildlife Karolina Sobecka
Related Domains
Archive
The FILE Archive has now more than 2000 national and international digital works of 38 different countries in several supports of digital media such as cd-rom, zips, diskettes, and video tape, texts and catalogues. This archive potential and significance can offer a great overview of what was produced in new media art since the year 2000 File Archive- on-line collection of net-art
The event is about new media art.
FILE Labo
FILE Labo: The mission of FILE Labo is the development, research and experimentation of multidisciplinary works in the fields of new media. It offers an environment of multidisciplinary researches and creators in a platform of free collaboration among national and international artists, programmers, scientists and researchers. FILE Labo's infrastructure was designed to hold projects in Art & Technology using the most different tools: augmented reality, interactive installation, sound installations, video performance, experimental robotics, urban interventions, and more. FILE-Labo has as its aim the cultural and technological swapping, through residencies and interchanges among National and Internacional communities, inserting its production into a globalized context of research and development, compatible with the techno-contemporary mentality.
Research Groups @ FILE Labo
Software Studies Initiative Group in São Paulo The SWS Initiative is a research group affiliated to the Software Studies Initiative at University of California, San Diego (UCSD), directed by Lev Manovich and coordinated in Brazil by Cicero Silva. The SWS group supports monthly meetings and lectures at the Labo and it's also developing two research projects in Brazil, one about the Open Source movement in Brazil and the other one about the impact of Creative Commons project in the Brazilian culture.
Board of FILE Labo
Alberto Saraiva, Cicero Silva, Marcos Moraes, Ricardo Hage, Roberto M. Cesar Jr., Sergio Vieira Branco Júnior
Artists
A selection of important artists working in File festival:
|
|
|
|
|
Performancers and Participants
A selection of important performancers and participants working in File hipersonica:
|
|
|
|
|
Lectures
A selection of important lectures working in File symposium:
|
|
|
|
|
|
Publications
- FILE’s book 2006:"Machine Art", 305 pages. Authors: Ricardo Barreto and Paula Perissinotto. Text: “The Universal Viral Machine” of Jussi Parikka. Design: Cássia Buitoni and Silvia Amstalden. ISBN: 85-89730-05-0.
- FILE’s Rio book: (2006) 190 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “The Subject-Project: Metaformance and Endoesthetics” of Claudia Giannetti. Design: André Lenz. ISBN: 85-89730-04-2.
- FILE’s book 2005:"Hypermedia" 265 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “The Form of Technique” by Cicero Inacio Da Silva. Design: André Lenz and Gabriel Borges. ISBN: 8589730034.
- FILE’s book 2004: "File2004" 224 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “From Criticism to Creative Games in the Digital Age”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon. ISBN 85-89730-02-6.
- FILE’s book 2003 “Novas Mídias/New Media” : 224 pages. Authors: Ricardo Barreto and Paula Perissinotto. text “The Anarcho-Culture”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon. ISBN: 85-89730018.
- FILE’s book 2002 “Internet Art” : 160 pages. Authors: Ricardo Barreto and Paula Perissinotto. text “the_culture_of_immanence”, of Ricardo Barreto and Paula Perissinotto. Design: Fábio Prata and Maíra Ramos ISBN: 85-7060-038-0.
Articles
- Nelson, Theodor Holms (aka Ted Nelson). "Way out of the box". In FILE Symposium book. São Paulo, IMESP/FILE, 2005. ISBN 85-89730-03-4.
- Parikka, Jussi. “The Universal Viral Machine”.in Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 85-89730-05-0.
- Barreto, Ricardo and Perissinotto, Paula “the_culture_of_immanence”, in Internet Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2002. ISBN: 85-7060-038-0.
- Barreto, Ricardo. “The Anarcho-Culture” in New Media. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2003. ISBN: 85-89730018.
- Barreto,Ricardo. “The Hyper-Cinemactivity” in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6 .
- Barreto, Ricardo. "The Avactor" in Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 85-89730-05-0.
- Perissinotto, Paula. A new stage in Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 85-89730-05-0.
- Da Silva, Cicero Inacio. "The ends of the means" in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6.
- Da Silva, Cicero Inacio. "After Hyper. Interview with George Landow. In FILE Symposium book. São Paulo, IMESP/FILE, 2005. ISBN 85-89730-03-4.
- Da Silva, Cicero Inacio. "Signs: from text to context". In New Media. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2003.
- Da Silva, Cicero Inacio. "Hypercinemactivity". In Hypermedia. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2005. ISBN: 8589730034.
- Da Silva, Cicero Inacio. The Form of Technique.] In Hypermedia. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2005. ISBN: 8589730034.
- Giannetti, Claudia Metaformance and Endoesthetics, in FILERIO. Ricardo Barreto e Paula Perissinotto (orgs.) Rio de Janeiro,2005. ISBN: 8589730042.
- Almeida, Jane de. "Drawn. After a hundred years of animation. (portuguese version). In Machine Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2006. ISBN: 8589730050.
- Bo Kampmann, Walter.“Playing and Gaming” in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6 .
- Eskelinen, Markku. “The Gaming Situation” in New Media. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2003. ISBN: 85-89730018.
- Onça, Fabiano. “Image, existence and belonging” in File2004. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2004. ISBN 85-89730-02-6 .
- Frasca,Gonzalo. Gonzalo Frasca “Ludology Meets Narratology” in FILE/site. Ricardo Barreto e Paula Perissinotto (orgs.).
- Oliver, Julian. “The Similar Eye/Proxy Life and Public Space in the MMORPG” in FILE/site. Ricardo Barreto e Paula Perissinotto (orgs.).
- Oliver, Julian. “Developer in Exile/Why Independent Game Development Needs an Island” in FILE/site. Ricardo Barreto e Paula Perissinotto (orgs.).
Related Domains
References
- Hentschläger, Ursula und Wiener, Zelko Interview
- Baumgärtel, Tilman (2001). net.art 2.0 – Neue Materialien zur Netzkunst / New Materials towards Net art. Nürnberg: Verlag für moderne Kunst. ISBN 3-933096-66-9.
- Wilson, Stephen (2001). Information Arts: Intersections of Art, Science and Technology. Cambridge, Mass. : MIT Press. ISBN 0-262-23209-X.
- Grau, Oliver (2003). Virtual Art: From Illusion to Immersion (Leonardo Book Series). Cambridge, Massachusetts: The MIT Press. ISBN 0-262-07241-6.
- Net Art Review a daily updated site that tries to keep pace with what is happening in the world of netart: netartreview
- The syndicate network for media culture and media art : http://anart.no/~syndicate
- Thomas Dreher: IASLonline Lessons in NetArt
- Ascott, R. (200)3. Telematic Embrace. [E.Shaken, ed.] Berkeley: University of California Press
- Manovich, Lev (2001). The Language of New Media Cambridge, Masschusetts: The MIT Press. ISBN 0-262-63255-1.
- Paul, Christiane (2003). Digital Art (World of Art series). London: Thames & Hudson. ISBN 0-500-20367-9.
- Grau, Oliver (2003). Virtual Art: From Illusion to Immersion (Leonardo Book Series). Cambridge, Massachusetts: The MIT Press. ISBN 0-262-07241-6.
- Grau, Oliver (2007). (Ed.) MediaArtHistories. Cambridge, Massachusetts: The MIT Press. ISBN 0262072793.
- Whitelaw, Mitchell (2004). Metacreation: Art and Artificial Life Cambridge, Massachusetts: The MIT Press. ISBN 0-262-73176-2.
- Wands, Bruce (2006). Art of the Digital Age, London: Thames & Hudson. ISBN 0-500-23817-0.
External links
- Alexa: File
- Wikipedia: File
- The Wire 279
- Whitney
- google-arts digital events Rank
- Wired
- netartreview
- Japan Media Arts Festival
- File Festival-complete collection of net-art
- UNESCO
- intute
- new media fix
- shift.jp
- scan news
- electronic literature organization
- british council
- arte digital 8
- digital-log
- VI Coloquio Art Digital/Cuba
- cuts shorts art web
- Linz Kultur
- Turbulence
- Gameology
- NewMediaArtProjectNetwork Cologne based experimental platform for art and New Media
Contact
